Ghostdrift: A Brilliant, Bittersweet Farewell to Fergus Ferguson

 

Suzanne Palmer closes her Finder series with imagination, heart, and a whole lot of delightful chaos

book review of Ghostdrift by Suzanne Palmer

Suzanne Palmer’s Ghostdrift delivers exactly what I’ve come to adore about the Finder series. It’s an ingenious blend of sharp sci-fi imagination, character-driven chaos, and plots that twist themselves into delightful knots. As the fourth and final book in the series, it remains wonderfully true to form: Fergus Ferguson sets out to track down one thing, only to stumble spectacularly into something entirely different. It’s his special talent.

Once again, Palmer throws Fergus into a cascade of predicaments, each more troublesome, clever, or downright bizarre than the last. He wriggles, improvises, stumbles, and strategizes his way through danger with a mix of competence and sheer stubborn will. Watching him navigate crises is half the fun, and the other half is marveling at just how deftly Palmer constructs these situations.

Palmer’s imagination is a rare treasure. Her settings feel lived-in, textured, and genuinely alien without ever slipping into confusion or excess. Her plots are complex, yet they read with the ease of a well-worn escape route. And her characters, Fergus most of all, carry the emotional heart that elevates these books beyond adventure into something richer. Friendship, loyalty, grief, humor, and found family is all there, wrapped in an irresistible sci-fi romp.

If there’s a downside, it’s purely personal: there will be no more Fergus Ferguson stories. I’m going to miss this character and the wild orbit he seems destined to tumble through. But I also can’t wait to see what Palmer dreams up next. If her future work carries even a fraction of the spark found in these pages, it’ll be worth the wait.

Ghostdrift is clever, heartfelt, twisty, and full of the narrative nourishment that makes a story feel downright yummy. A perfect finale.

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Crossings and Thresholds

 

A bonus story from the Rifters universe…

Crossings, Rifters bonus story

Darkness wrapped its fingers around the last dregs of day, pulling down the sun, leaving behind bruising colors that faded into black. Cordelia Swit sat on a fallen log with her best friend in the woods. Before them rose two obsidian pillars in a small clearing among the pines.

The pines in the high desert of Oregon didn’t grow into the impressive towers as the forests to the west in the Cascades to the coast, but their tops teased the descending night and welcomed a chill more associated with winter than early July. It would be another week or so before warmth elbowed its way into the hours after sunset.

Cordelia huddled with Dottie Hessler, her best friend, under a quilt. The two of them wore bearskin coats, knitted mittens, and scarves, but it wasn’t enough to chase away a case of the shivers. Dottie pulled out a canteen and two cups, placing them on a boulder in front of them. Before she could poor the steaming contents of the canteen, Cordelia stopped her.

The heady aroma of well-brewed coffee hit Cordelia’s nose, and she sighed. “It will get cold too fast in the cups.”

“You’re right.” Dottie took a sip and handed the canteen over. Her usually prim curls were stuffed under a hunting cap she had taken from her father. The earflaps were down and tied under her chin so they’d stay down. Where Dottie was fair and light and giggly, Cordelia was darker, coarser, more brooding.

Dottie had said that’s why there were such good friends, because they fit together like salt and paper, like light and dark, like teasing and serious. This held true as Settler grew and more people occupied the town. Each of them always knew what the other needed and never shied away from providing it.

Cordelia sipped cautiously without flinching at the soft pinch of scalding coffee on her lips and tongue. Feeling something other than bone-boring cold was welcome. “Too bad it can’t stay hot until morning.”

“Now there would be an invention. I don’t suppose our resident genius blacksmith could come up with something?”

“We’ll bring it up at the Rifter meeting tomorrow.”

“Let us have nothing to report.” Dottie sent her wish out into the universe, and as her words faded, the obsidian pillars sizzled into life. Blue fingers of energy licked up their sides, reaching into the sky, then arching in toward each other to form a circle. She set down her cup and clutched at Cordelia’s arm.

Cordelia stood to face whatever monster was about to set foot on their world, clutching a sword in one hand and a club in the other. With a deep breath, Dottie mustered her courage and took the club, brandishing it over her shoulder.

The blue ball of light intensified and expanded. Cordelia brandished the sword. Dottie leered.

“Monsters not welcome here,” Dottie yelled, her voice growling, wrapping her nerves in armor.

Cordelia snarled too, her grip tightening on the hilt of the sword.

A spark of yellow, like the ember from a fire, flitted out from the rift and landed on Dottie’s boot. She reached down and brushed it off, jolting as her fingers brushed over the ember.

“You shouldn’t touch it,” Cordelia warned too late. She grabbed her friend by the shoulders and jerked her upright. “Are you okay? What happened?”

The glow from the rift cast a hellish hue over Dottie’s skin and her mouth hung slack-jawed as if she had entered the realm of phantoms.

Cordelia shook her. “You’re scaring me.”

As suddenly as the rift opened, it closed. Dottie blinked and laughed. “Well, that was quite the rush, my friend.”

“What happened?” Cordelia furrowed her brow.

“I have the same question for you.”

“Let’s get you home and rested.”

By the light of the endless sprinkle of stars overhead, they picked their way through the forest to their homes.

The next day, Cordelia toiled at washing the bedding, taking the sheets out of the kettle that had been sitting overnight, schlepping clean water from the lake, rinsing and rinsing again, scrubbing on the washboard, rinsing again, and she had just finished ringing out the sheets. She kept one eye on the position of the sun and swiped the sweat from her brow. When the sun started to lower, the Rifters would meet at the blacksmith’s and go over what had happened last night and how to adjust their guardianship of Settler and their world.

Taking a deep breath, she stood still for a moment, letting the cool breath from the far-off Cascades caress her heated face, asking her body for a second wind to get the washing hung on the line. Before she had finished her brief rest, she heard the pounding of feet on the dirt road passing by the house.

“Cordelia!” a frantic voice called.

She fluttered open her eyelids and squinted at Gregory Hessler racing her way. The heat of day didn’t stop the chill from entering her blood. Mr. Hessler didn’t run, didn’t’ become frantic. Without him saying a word, she knew something was wrong with Dottie.

Cordelia left the washing and dashed off to meet her neighbor. “What’s wrong?” she huffed when they were close enough to speak.

“Dottie. It’s Dottie.” He panted so hard he could barely speak. He grabbed her hand and dragged her toward his ranch with him. “You have to come. Please.” His cracking tone cracked Cordelia’s heart.

Before they reached the Hessler’s ranch, they ran into Dottie. She skipped toward them, twirling, and squealing in off-key notes. Her hair whipped wildly around her face, and her dress was on backwards.

Cordelia stumbled to a halt, feeling the blood drain from her face. “Get the others, Gregory.”

“What happened last night?” His eyes welled and demanded an answer from her.

She couldn’t look him in the eye or her best friend. “I don’t know.” She swiped a tear off her cheek. “I wish I had a better answer.”

“I do too.”

“I’ll stay with her. Get the others.”

Dottie’s eyes glowed with an eerie light and a purple aura haunted her as she laughed and twirled. Dottie blinked, and the aura and glow in the eyes faded. Her expression twisted. “What’s happening?”

“We’ll figure it out,” Cordelia reassured her friend.

Gregory Hessler ran off faster than Cordelia could form an apology. She said it to Dottie instead. “I fear you’re not quite you, dearest friend. I’m so sorry I didn’t keep you safe.” Worse, what if whatever had happened to Dottie spread to the rest of the town?

Taking a risk, Cordelia took Dottie’s hand and led her back to the house. “I promise to do better. I promise my life and soul.”

 

 

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Movie Review: Space Command Redemption

 

A Time Capsule Sci-Fi with Familiar Faces and Awkward Charm

 

Movie, Space Command REdemptionI stumbled across Space Command Redemption on YouTube and decided to give it a watch. Going in, I honestly thought it was something unearthed from the late 1990s or early 2000s. The tone, the pacing, even the structure feel like that era of television sci-fi. But no. It released in 2024.

The cast is packed with genre familiars, including alumni from Babylon 5 and Star Trek, and it was genuinely nice to see Mira Furlan and Bruce Boxleitner sharing the screen again. For longtime sci-fi fans, that alone gives the movie a warm glow.

Overall, it’s actually a pretty good watch. Not groundbreaking. Not sleek and modern. But solid enough, especially for an indie production. The special effects are decent considering the budget. Nothing jaw-dropping, but they get the job done without pulling you out of the story.

That said, parts of Dor’s storyline were really familiar. I kept thinking of The Murderbot Diaries by Martha Wells. At first, I assumed maybe Wells had drawn inspiration from this. Then I checked the release date. Nope. If there’s borrowing going on, it would have to be the other way around.

The acting ranges from pretty good to awkward. Some of the dialogue is unintentionally hilarious. At one point a character simply says, “You’re attractive.” Just like that. Who blurts that out when first meeting someone? It gave me a good laugh. And I’m fairly certain this film contains the most awkward kiss ever in space drama. Points for boldness, maybe.

A few of the story arcs drag, and the ending felt a little strange. There were also moments where I thought two characters were in one place and suddenly they’re traveling toward each other. Wait a minute… did I miss something? To be fair, I wasn’t giving it my undivided attention the entire time, so that confusion might be on me.

beer ratingStill, I’d call this a decent watch. It has heart. It has nostalgia. It has some very earnest sci-fi energy. And if you’ve got an affection for that earlier era of space television, this will probably land well.

Beer rating: one and a half beers is enough to have fun with this one.

You can watch the entire movie for free on YouTube. HERE

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Space Weed Enters the Sol!

 

Happy release day to Space Weed! This novel completes the Space Squad 51 series. Enjoy!

YouTube player

 

The entire Space Squad 51 series has been a mashup of things I’ve always loved: disaster stories, first responders, sci-fi B-movie chaos, and classic science fiction wonder. These stories came out ridiculous and heartfelt and strange in all the best ways.

But more than anything, I care about characters who have to face themselves.

In Space Weed, Nikili Echols is dealing with a disaster that doesn’t fit neatly into any box. And neither does she. To get through it, she has to stretch beyond who she thinks she is as a leader, as a mother, and as a person to figure out what actually matters when everything is on the line.

There’s tension. There’s weirdness. There’s a lot of heart.

Also:

  • space charades (yes, really)
  • overly eager ORS volunteers on Eris
  • and a chapter that’s my love letter to 2001: A Space Odyssey, Twin Peaks, and Jack L. Chalker

This book made me laugh. It made me lean in. It reminded me why creating stories matters.

If you’ve been on this journey with Squad 51, thank you.
If you haven’t, this is your invitation.

Get on board. Escape beckons.

On sale everywhere fine ebooks are sold!

SPACE WEED

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Book Review: A Time Traveler’s History of Tomorrow by Kendall Kulper

 

 

Falling Through Time with Genevieve and Ash

Review A Time Traveler's History of Tomorrow

A Time Traveler’s History of Tomorrow is the third book in Kendall Kulper’s young adult series featuring characters with extraordinary abilities. I thoroughly enjoyed the first two novels, A Starlet’s Secret to a Sensational Afterlife and Murder for the Modern Girl, and this newest installment follows a similar and satisfying pattern.

In this story, the heroine, Genevieve, can turn invisible, while the hero, Ash, can manipulate time. Rather than centering solely on romance, the plot is foremost about the growth of these two characters as they navigate the situation they find themselves in. The situation is this: While attending the 1934 Chicago World’s Fair, Genevieve and Ash accidentally fall through time to the 1893 fair. Genevieve’s science skills are no match for finding herself in another era, and she needs help. Obviously, Ash’s ability to manipulate time is a key factor in getting home.

The time travel element is lively and imaginative. The history of 1893 and 1934 come alive. Some of the societal issues, unfortunately, remain too similar to today. We have moved the needle some, but not far enough. The help I mentioned comes in the form of secondary characters, who are especially engaging. Twists and turns abound in the story, and the character arcs are beautifully done.

Romance is not my genre, but I enjoy romances that offer more than just the relationship at their center, and Kendall Kulper consistently provides exactly that. This series blends charm, adventure, and heart, and with this third book, I remain very much a fan.

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How to Build a Monster (That Actually Belongs in Your Story)

 

A monster isn’t just something scary. It’s a function of your story. So before you decide what it looks like, you need to decide what it does.

Rifters Worldbuilding

Start with Purpose

What role does the monster play in the story?

Is it an obstacle? A mirror? A consequence? A catalyst?

If you don’t know what it’s for, you’ll end up designing something that looks interesting but doesn’t actually belong.

Decide How It Can Be Known

Can the monster be seen directly? Touched? Studied?

Or does it only exist through effects such as missing people, broken systems, altered environments?

This choice controls how your reader experiences its presence before they ever meet.

Tie It to the Character Arc

A good monster doesn’t just exist in the world. It pressures the protagonist’s development.

What does it force your character to confront? What skill, belief, or limitation does it expose?

This is where the monster stops being decoration and starts becoming story structure.

Shape the Appearance Last

Once you know function, visibility, and narrative role, then you decide what it looks like.

Familiar? Symbolic? Entirely alien?

The design should serve meaning, not the other way around.

Define the Emotional Impact

What is this monster meant to make the reader feel?

Fear? Awe? Unease? Curiosity? Disgust?

Even more importantly, does it reinforce that emotion through form, behavior, and consequence?


Example: The Albino Tree (The Reader: Rifters Book 3)

In The Reader, I needed a monster that could emerge after the Rift closed. That immediately created a constraint: the Rifters wouldn’t have been able to detect it in the usual way. There is a hard world has rule for how monsters can be detected in the Rifters. So I couldn’t just cheat and say they missed it. I had to design something that could logically stay hidden. That limitation shaped the solution, and I came up with a seed that grows into a monster tree.

From there, I built outward.

I wanted the creature to feel misunderstood rather than purely evil, so it developed the ability to create pod people, distorting reflections of the environment rather than traditional victims.

I also wanted scale and presence. Trees already carry that sense of ancient weight, and there’s something inherently unsettling about them when they move beyond natural boundaries (think Wizard of Oz trees).

Finally, I needed the tree’s existence to matter to the protagonist’s development and the increasing tension of something being off about the rift. The encounter had to push the MC deeper into their Rifters abilities and force growth both in her own estimation and others.

So the monster wasn’t just designed, it was derived from story constraints, emotional intent, the series arc, and character progression.

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