Nnedi Okorafor writes beautifully complex stories that don’t always seem complex at first, but as the story unfolds, she layers in issue after issue, challenge after challenge, until you’re swimming in questions about identity, autonomy, authorship, and what it means to truly be yourself.
Death of the Author is no different. The story mirrors itself in fascinating ways. Zelu’s life and the robot’s story are deeply entwined, and by the end, there’s this intriguing metafictional twist: the robot speaks about its main character, Zelu. It raises the question: Did the robot write the Zelu parts? Did Zelu write the robot parts? Or did they both co-create this narrative? It’s meta and kind of mind-bending in a good way.
Zelu is a deeply flawed human who maybe is learning to accept herself. She challenges societal norms, both in her Nigerian community and in broader American culture. The robot, too, is challenging its own world and expectations. Both stories force the reader to confront big questions about identity, voice, and control.
If you’ve liked Okorafor’s other stories, this one will feel familiar in the best way. It’s thoughtful, subtle, layered, and rewarding.
