Sci-Fi Worth Watching: Star Trek’s Section 31 Movie review
Section 31 is a fun romp through the grittier side of Star Trek, led by the always-splendid Michelle Yeoh. I enjoy seeing a rougher edge to the usually polished Trek universe, and this movie scratches that itch.
There’s an interesting team of misfits working together to stop a dangerous weapon, which gave it a Guardians of the Galaxy vibe—minus the edgy soundtrack. The opening offered some insight into Georgiou’s character, but the plot missed the mark with the arc involving San, the boy from her past. After all the damage she inflicted, his burning hatred felt right. His change of heart later on seemed far too fast and not quite earned. I also would have liked more about why Georgiou started to change in the mirror universe. I know she changed some upon encountering Discovery, but I still think more insight into Georgiou is needed for this change.
While there’s a lot to like about the plot and the twist on the usual Trek story, the movie still ultimately fell back into familiar territory: once again, the fate of the galaxy was at stake. I wish they’d raise different stakes now and then instead of always going so big.
Spoilers Ahead!
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First, the arc with San: the beginning showed Georgiou as cold-hearted and ruthless, and San’s hate rang true. His sudden turnaround and rekindled love with her felt forced and unearned.
Second, the Hunger Games-style contest among children? It felt too familiar, like borrowed territory rather than a fresh idea. I honestly expected young Georgiou to laugh it off as a tall tale she’d heard. It didn’t quite fit.
The mole intrigue was fun, but the plot kept distracting itself . I rolled with it because, in my opinion, a movie’s first job is to be fun—but still, when they somehow survived after the explosion and came back into focus… I definitely rolled my eyes.
As for the ending: while sappy and hokey, it was fine. But after such an edgy beginning, I wished the tone had matched better from start to finish. I think Georgiou sacrificing herself for one universe—or finding a way to repair the mirror universe—would have made for a stronger, more satisfying redemption arc.
Still, if you want a gritty, action-filled Star Trek adventure with plenty of Michelle Yeoh badassery, Section 31 delivers. I’d say one beer is enough to have fun with this one.
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If you’re looking for a quick, emotional ride that leaves you with a warm feeling, Ro and the Stardust is definitely worth your time. It’s short enough that you won’t have time to get bored but impactful enough to make you reflect on the beauty of life and letting go. Highly recommended for anyone who appreciates a sweet, emotional tale with a dash of futuristic charm.
If you were a fan of the original Six Million Dollar Man or The Bionic Woman TV shows from the 1970s, this movie is a delightful trip down memory lane. Somehow, I completely missed Bionic Showdown when it aired back in the late ’80s—but better late than never.
In short, this movie is a warm, campy hug for fans of the original series. It’s not high art, but it doesn’t need to be. Nostalgic and fun, Bionic Showdown clocks in at a solid 1.5 beers—just enough to kick back and enjoy without questioning the logic of bionic espionage.
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Geostorm isn’t a bad movie by any means. It’s a decent watch if you’re in the mood for a fun, if somewhat flawed, disaster film. The concept is great, the space scenes are enjoyable, and the visual effects are strong. But in the end, it falls short of its potential. With more emotional depth and a more consistent barrage of chaotic, world-shaking disasters, it could have been the epic ride it promised to be. Instead, it feels like it missed a few opportunities to really let loose. So, I say, one beer is enough to have fun with Geostorm.