Author name: M Pax

Galactic Status November 2026: Space Squad 51 Mostly Complete, Rifters Moving Toward the Launching Pad

Hailing All Adventurers: here’s the November report on current missions, new launches, and cosmic adventures!

M. Pax upcoming releases

🚀 Project One: Completing the Space Squad 51 Series

Status: KS completed. Regular launch at retailers 

  • Spaceberg: The new version is out in the universe.  Get it HERE
  • Space Trash: Completed. Will release 3/10/2026
  • Space Hitched: Completed. This was a Kickstarter exclusive. Will be available as an add-on during future Kickstarter campaigns.
  • Space Weed: Completed. Will release 5/12/2026.
  • Space Worms: In final edits. Will release 1/13/2026.
  • Space Rock: Started writing. Will be available to newsletter members by February 2026.

🌟 Project Two: Shroomtopia

Status: Steady as she goes!

Writing the rough draft live on Discord. A new episode is uploaded every month. Come join me at Paxport!


🌌 Project Three: Completing the Rifters Series

Status: Charting new dimensions! The Rifters series has new covers! I’m currently rereading the series to refresh my memory before starting on The Generals. The plan for these new books is to launch via a party on Kickstarter in the fall of 2026.

  • The Generals (Rifters Book 5): At 30% plotted, this novel is laying the foundation for epic twists and turns. My target is 70-80,000 words, and it’s going to be worth the wait!
  • The Warder (Rifters Book 6): The final installment is 30% plotted My aim? Another 70-80,000 words of world-saving, dimension-bending awesomeness.

🌙 Project Four: Hetty Locklear Series Now The Hybrids Series

Status: In the line up after the Rifters series is complete

I’ll be giving The Renaissance of Hetty Locklear a new title and a new cover, but it will be the same content. I have the new covers! Hate that I have to wait to show them off.  Have made more notes on what to do with the new stories. The titles will be: Cloaks, Powers, and Masks.

 


Keep your comm channels open for more updates. If you haven’t joined the M. Pax Dimension yet, come join me! MPAX DIMENSION

Stay tuned and peace out,
M. Pax

 

 

 

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Death of the Author by Nnedi Okorafor

 

Nnedi Okorafor writes beautifully complex stories that don’t always seem complex at first, but as the story unfolds, she layers in issue after issue, challenge after challenge, until you’re swimming in questions about identity, autonomy, authorship, and what it means to truly be yourself.

Death of the Author is no different. The story mirrors itself in fascinating ways. Zelu’s life and the robot’s story are deeply entwined, and by the end, there’s this intriguing metafictional twist: the robot speaks about its main character, Zelu. It raises the question: Did the robot write the Zelu parts? Did Zelu write the robot parts? Or did they both co-create this narrative? It’s meta and kind of mind-bending in a good way.

Zelu is a deeply flawed human who maybe is learning to accept herself. She challenges societal norms, both in her Nigerian community and in broader American culture. The robot, too, is challenging its own world and expectations. Both stories force the reader to confront big questions about identity, voice, and control.

If you’ve liked Okorafor’s other stories, this one will feel familiar in the best way. It’s thoughtful, subtle, layered, and rewarding.

 

 

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Currents of Absence

 

A story from the Space Squad 51 Universe…

free science fiction short story

The stained orange carpeting on the elevator floor and the intense scent of cleanser increased Ipsa’s nausea. She gripped her daughter’s hand tighter, and Nikili looked up at her with those startling amber eyes.

She had her father’s eyes, which broke Ipsa’s heart anew. Grief flooded her soul and pushed its way out of her tear ducts, blurring reality with the recent past. Barely four weeks ago, she had watched the light go out in an older set of amber eyes, those belonging to her beloved Ather. She would never feel his love again, nor his comfort.

“Everything is going to be all right, Ipsa,” he would say when she couldn’t sleep. “We’re okay.”

She needed to hear those words and feel his strong arms. Her spirit caved from the weight of her sorrow, and she didn’t dare look down at her daughter again.

“What’s wrong, Mom?”

“Shush now.” The elevator door opened, and Ipsa dragged Nikili with her into a corridor reeking of more cleanser. The smell reminded her of the chemicals that had eaten away Ather’s skin like he was the star of a horror show, only this one had no ending. Ipsa’s horror went on and on and on.

The struggle to keep herself going and not abandon her daughter bent her back as much as the ache of Ather’s loss. The line for the air rations office was long, just a mere eight steps from the elevator. Ipsa took her place, leaning against the dingy wall, letting it prop her up, letting it keep her from completely collapsing.

“You need to help me,” she whispered hoarsely to her daughter. “Look sad and pitiful. Think about wanting a waffle cake when we get to the head of the line and the air agent starts speaking to us.” She could feel her daughter’s confused blinks, but couldn’t bring herself to look at Ather’s eyes again.

“Of course, I’ll help you, Mom.”

Ipsa brought up a game on her holoscreen and swiped it over to Nikili. There were too many whiny and wailing kids. Her daughter didn’t need to add to the chaos.

A former coworker shuffled out from the interior and stopped in front of Ipsa. “How you doing? I’ve been thinking of you lots.”

Ipsa’s mouth grew tight. She couldn’t smile or frown or speak, so she just nodded.

“Our hours got cut because of the accident,” she prattled on, oblivious as to how her mentioning the tragic event scraped Ipsa raw. She gestured over her shoulder at the office, explaining what she was doing here. “You should come back. Hours will be picking up again soon. Then you won’t have to come here no more.” She aimed her smile down. Ipsa supposed at her daughter, but she wouldn’t look. “You take good care of your ma.” Her gaze took in Ipsa head to toe. “See you. Soon?”

Thankfully, a message came in on her comm link, allowing her to get away with merely nodding again. The message was from the neighbor next door asking if Ipsa was serving meals tonight. She replied she wouldn’t. Not only was she almost out of air, but she was also out of food.

Her head ached from trying to think of what to do. She hated that she might have to return to the factory. The question wasn’t if an accident would claim her life, but when. She didn’t want Nikili to end up an orphan. Orphans were shipped off to the mines, many to die before they reached adulthood. Ipsa wanted a better life for her daughter, better than factories and certainly better than mining. The line lurched ahead at an agonizing pace.

Nikili tugged on Ipsa’s sleeve. “Want to play a game with me?”

“Not right now, sweetie, but thanks for checking in with me.”

“Sure, Mom.” Nikili pressed herself against Ipsa as if Ather’s ghost had whispered in her ear and told her what Ipsa needed.

She stifled another fit of tears, turning her face to the wall, the smells reminding her of the chemicals painfully peeling away Ather’s skin, her ears ringing with his painful screams. Her friends and the manager had tried to drag her away. But she wouldn’t leave him. Desperate to spend their last moments together, her hands and lips had pressed against the transparent panel. It hadn’t mattered if Ather wasn’t aware she was there. She knew. She was aware.

Finally, her turn came, and she strode up to the available air agent, Nikili in tow. “I need an extension. Please. My husband just died, and, and…” She choked on her emotions unable to say another word.

“She’s out every day looking for work,” Nikili piped up. “Everything will be okay. We just need more time.”

The agent considered Nikili, then smiled. “Says here your mams worked at the power cell factory.”

“Yeah, my dad was in the most recent accident there.”

Ipsa wondered how her daughter could speak so matter-of-factly after weeping inconsolably in her room for two solid weeks.

“What’s his prognosis?” the agent asked.

Nikili shook her head.

The agent reached through the narrow slit in the window separating him from the public and patted Nikili’s shoulder. “I’m sorry, dear. That’s harsh.”

“She doesn’t want me to be an orphan,” Nikili prattled on, “so won’t go back to the factory.”

“There are too many orphans, that’s for sure. You’ve got a great mams there looking out for you.”

“She is the best.” Her little fingers gripped Ipsa’s tightly, and Ipsa felt the smile radiating up from her daughter.

“I can extend you one month, Ipsa Echols. Beyond that your case will be day by day.”

Mustering her emotions, Ipsa managed to ask the question swirling in her head. “You mean, I’ll have to come here every day after a month?”

“Yes, citizen. I’m sorry. But if you’re serious about work, my sister-in-law needs a couple of deckhands at dock twenty-three.” He nodded at Nikili. “Are you ten yet?”

“Close enough,” Nikili answered.

“With a can-do attitude like that she’ll take you on too. Then I shouldn’t see the two of you back here again.”

“Really?” Ipsa didn’t want to hope.

“Open your holoscreen, citizen. Let’s exchange contact info. I’ll have my sister-in-law get in touch with you.”

“Th-thank you.” Ipsa glanced at her screen. “You saved us, Ocklan.” Her mouth twisted as her thoughts shifted away from grief and tragedy. “Your name has roots in the rebellion.”

“My blood does too. Citizens need to take care of each other. That’s what the great Thijin wanted for us all. By the time she grows up,” he nodded at Nikili, “I hope this office no longer exists.”

“That’s a grand dream, Ocklan.”

“To me, it’s called being human.”

He shooed them away. Ipsa glanced down at her daughter and smiled. “Everything is going to be all right. We’re going to be okay.” She put her arm firmly around Nikili. Today she had learned kindness could slice through grief.

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Movie Review: Mega Shark vs. Mecha Shark

 

movie poster Mega Shark vs. Mecha SharkStarring Christopher Judd, Mega Shark vs. Mecha Shark delivers exactly what you’d expect from a film with that title—plus a few unexpected gems.

I went into this one hoping Judd would drop a signature “Indeed” at some point. Sadly, no dice. Had he done it, this movie might’ve earned a bonus half-beer deduction. Even without it, though, this film is still packed with sharky fun.

The Asylum knows what its audience wants: destruction, mayhem, and ridiculous chaos. And on that front, they absolutely deliver. There were several moments where I laughed out loud at the sheer absurdity—and I mean that in the best possible way. Sharky shenanigans? Top tier.

Now, I won’t spoil the major twist that reeled this beer rating down from a 2.5 to a very enjoyable 1.5. But I will mention one minor spoiler (last warning!). When the megalodon batted a torpedo back at a submarine like a boss? Fabulous. Just one of many gloriously over-the-top moments.

1.5 beer ratingIf you’re a fan of the disaster-shark genre—and let’s be honest, who isn’t—you’re going to enjoy this one. Ridiculous in the best way, Mega Shark vs. Mecha Shark is a solid 1.5 beer movie. Pop a cold one and dive in.

Here’s the trailer:

YouTube player

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The Mars House by Natasha Pulley

 

Sci-Fi Worth Reading!

Natasha Pulley is one of my favorite authors, so I was thrilled to see her take her distinctive storytelling into space. The Mars House is classic Pulley. It is richly layered, quietly emotional, and deeply human, but is set on Mars.

The novel centers on the relationship between January Stirling and Aubrey Gale, two men whose connection unfolds in a way that often feels like a romance, particularly in how they think of and reflect on each other. That emotional focus gives the story a softness, even as it moves through political tension, class divides, and cultural upheaval.

This is a quieter kind of sci-fi, more introspective than action-driven, but the worldbuilding is textured and immersive. Pulley has a way of crafting societies and characters that feel lived-in, and the plot, while subtle, still delivers unexpected turns. Her writing remains thoroughly engaging, pulling me deeper into her characters’ lives with every page.

If you’re looking for thought-provoking speculative fiction with heart, nuance, and a unique voice, The Mars House delivers. It’s elegant, enjoyable, and full of the quiet intensity Pulley fans have come to love.

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Worldbuilding Spotlight: CHOPs, Governing the Sol

 

Worldbuilding from the Space Squad 51 Universe…

SCIENCE FICTION WORLDBUILDING

CHOPs, the Council of Human Occupied Planets, is the governing body of the entire Sol system. It is made up of representatives from every planet and colony. Some are elected, some appointed. That depends on the local governance of each colony.

The main headquarters is located on Ganymede, which often ruffles moods in the Outer Sol due to its conspicuous location in the Inner Sol. To ease this tension, CHOPs has established a secondary headquarters on Charon, ensuring a balance between the Inner and Outer Sol territories.

CHOPs’ responsibilities are wide-ranging and essential for the stability of human civilization across the solar system. They oversee trade, resource distribution, and disputes between colonies, while promoting scientific research and innovation. The council ensures colonies thrive, sets guidelines for organizations like Orbital Rescue Services (ORS) and the Disaster Aversion Team (DAT).

It also handles law, trials, and sentencing. With a goal of rehabilitation over punishment, CHOPs maintains a small network of prisons while often turning a blind eye to smuggling and the less aggressive ventures of Space Barons. Patrolling and dealing with space pirates is  left to the Outer Sol unless they threaten Inner Sol territories.

CHOPs also governs Earth’s recovery, approving which citizens may return and ensuring they provide essential services to maintain or improve the planet’s state. Beyond Earth, CHOPs supports dome and shield infrastructure on the colonies, offering a sense of stability and long-term sustainability to all human-occupied worlds.

From legal oversight to scientific advancement, CHOPs is the backbone of human society in the Sol system—an intricate organization that came into existence shortly after the colonies overthrew the corporations. It continues to keep a sprawling interplanetary civilization running.

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